First place: soprano Sasha Djihanian
Second Place: soprano Claire de Sevigne
| Deadline for applications postponed to October 21, 2011. Così fan tutte by Mozart Sung in Italian, with sets and costumes. REMUNERATION Remuneration policy based on the importance of the role. ROLES (6 singers)
PIANIST To apply, send us a piano solo recording. If your application is chosen, you will be called in for an audition (see the audition procedures for pianist below). AUDITION'S DATES* Montreal: November 7 & 8, 2011 Toronto: November 18, 2011 London: November 19, 2011 * The JMC reserves the right to modify the audition schedule or to cancel auditions in the event that there are an insufficient number of candidates. Please note that JMC and the Centre for Opera Studies in Italy (COSI) will be holding joint auditions this year. If you would like to audition for COSI in addition to JMC, please click on this link: www.co-si.com/admissions.php. REQUIREMENTS FOR APPLICATION
IMPORTANT
AUDITION PROCEDURE - SINGER Repertory: - An aria from Così fan tutte: For Despina: In uomini, In soldati OR Una donna a quindici anni For Dorabella: Ah, Scostati ! / Smanie Implacabili For Fiordiligi: Temerari/come scoglio For Ferrando: Un aura amorosa For Guglielmo: Non siate ritrosi OR Donne mie, la fate a tanti For Don Alfonso: Vorrei dir, e cor non ho - An operatic aria of choice sung in Italian (Please note that special attention will be given to candidates’ acting abilities) Accompanists: Candidates must provide their own accompanist. AUDITION PROCEDURE - PIANIST - A piano solo piece of your choice, approximately 5 minutes long - The finale of Act 2 is to be played while singing the vocal parts at the same time (those parts which the pianist considers important to highlight). IMPORTANT DATES The candidates chosen for the workshop and the tour have to be available at all the following dates: > Casts 1 and 2: - From August 24 to September 9, 2012 included: opera workshop, production of Così fan tutte > Cast 1 - From October 20 to December 9, 2012: Fall tour 2012 in Eastern Quebec and in Maritimes > Cast 2 - From March 19 to May 6, 2013: Spring tour 2013 in Western Quebec and in Ontario. Singers will be chosen for both casts when all candidates will have confirmed their participation. *Please note that these dates are planned in advance and may be changed without notice. Successful candidates will take part in the following: • A two-week opera workshop under the musical and stage direction of professionals working in the field. • A tour under the aegis of Jeunesses Musicales of Canada. Note that a tour means 13 to 20 concerts. A minimum of nine hours of pre-tour rehearsals and performances paid. On tour, transportation costs and a per diem will be borne by JMC. Contact: Delphine Tremblay Martel, Evening Concerts Coordinator Jeunesses Musicales of Canada 514 845-4108, ext. 231 Toll free: 1-877-377-7951, ext. 231 dtmartel@jmcanada.ca | | |
We are also delighted to continue our relationship with the Istituto Musicale Luigi Boccherini, and to announce a new collaboration with the Opera Studio Nederland, in the realization of AEDO, taking place this year in both Milan, IT and in Amsterdam, NL. This unique program focuses intensely on the art of learning and performing a full role, and culminates with staged performances, with orchestra, throughout northern Italy and in Amsterdam respectively. Application deadlines for AEDO Italy and AEDO Amsterdam are the same as those for COAA for North American students (one audition fee and application for all programs), information concerning live and recorded auditions for European students will be forthcoming on the website www.aedopera.com .
2010 will mark the Gilbert & Sullivan Society of Winnipeg’s 20th season, having been formed in 1990. The Society has now mounted 19 highly successful, professional productions and is set to begin work on it’s 20th Anniversary production of Patience....Society’s 15th Anniversary Concert, in January 2005 (also at Pantages), featured Tracy Dahl as a guest artist in Trial by Jury, as well as a selection of songs from other Gilbert & Sullivan operettas. The Society has also presented concerts in Winnipeg and Morden, “concert brunches” in January of many years, as well as concerts with the Winnipeg Symphony Orchestra (with Bramwell Tovey conducting) in 1994, 1997 and 2001. The WSO concert in 1994 was released as a CD by the Canadian Broadcasting Corporation.
"Teaching Art Song from the Inside Out" 5 days of Extraordinary Immersion School of Music, University of British Columbia Vancouver, BC. Canada "I feel inspired enlightened, reinvigorated, encouraged with a new sense of belonging, and I return to my teaching with new ideas and renewed passion" |
We invite you to join us this June in beautiful Vancouver, BC for:
Speakers include PROFESSOR SCOTT MCCOY, President of NATS, Professor of Voice and Pedagogy, Director of the Presser Music Center Voice Laboratory, and author of the voice science and pedagogy textbook, Your Voice: An Inside View. FRANÇOIS LE ROUX, Director of the Centre de la Mélodie Française, SIMA GODFREY AND KEVIN MCNEIILLY, UBC Literature professors, DR. LEONARD GEORGE, psychologist and author, BARBARA HEYMAN, author of the definitive biography of Samuel Barber, DEBORAH STEIN, co-author of "From Poetry to Song", DARRYL EDWARDS, Professor of Voice and AIRS researcher at the University of Toronto, and many more share the roster. The retreat also includes auditing of masterclasses with visiting artists such as singers JULIE SIMSON, BENJAMIN BUTTERFIELD, ROSEMARIE LANDRY, and FRANÇOIS LE ROUX, pianists CAMERON STOWE, KENNETH GRIFFITHS, and more. See our full roster of artists and presenters on our website. June 11, 12, 13, and 15 offer Art Song concerts by the VISI faculty artists with commentary by musicologists and performers. June 14th is an optional private dinner and conversation for Retreat participants and select faculty. More information and the Retreat Schedule are available on the web. REGISTER NOW at this link. The early-bird online registration fee until May 15th is $200 for the full five-day program, including concerts and June 14th dinner. Fee is $250 from May 16 through June 11th. Daily drop-in tickets can be purchased at the door at any time: $10 for morning classes, $20 for afternoon classes, concerts $20, June 14th dinner $35 (please register for dinner by June 12th at VISI). Bring your ideas and join the conversation at VISI in June! Rena Sharon Artistic Director, Vancouver International Song Institute |
FOR IMMEDIATE RELEASE
The Jacqueline Desmarais Foundation for young Canadian opera singers
Support programme - 2010
1- Pre-selection
The projects, including the completed application form, a demo, a 8"x10" black and white photo and two letters of recommendation must be received no later than Thursday, April 1st, 2010, 5 p.m.:
The Jacqueline Desmarais Foundation
for young Canadian opera singers
c/o Sanpalo Investments Corporation
759 Square Victoria, 5th Floor
Montreal, Quebec H2Y 2J7
Information: margot@provencher.ca / 514-757-4060
Successful applicants will be advised of their participation in the final auditions in May.
Demo (on CD) with name of singer and selection with recording date and name of accompanist
3 selections with piano accompaniment only
2 opera arias, 1 lied or melody from 3 different eras and/or languages
Maximum length: 15 minutes
.
2- Final auditions
Wednesday, May 12, 2010
(In Montreal - starting at 10:00 a.m.)
Audition program
2 opera arias, 1 lied or melody
Candidates should have their own accompanist.
The program is not to exceed 15 minutes.
Jury
The jury is composed of persons who have a solid experience of the opera world. The decisions of the members of the jury will be approved by the board of directors of the foundation.
The Jacqueline Desmarais Foundation for young Canadian opera singers
Support programme - 2010
Objectives
To support the development and promotion of the careers of young Canadian opera singers.
Application procedure
The foundation’s application form must be completed. All questions must be answered.
A pre-selection, in April, by means of audio material will determine candidates for the final auditions to be held Wednesday, May 12, 2010 in Montréal, after which grants will be awarded.
The awards for the approved grants will be available (in part or in total) approximately two weeks after the auditions.
N.B. the majority of grants are of the order of $5,000
Admissibility
Conservatory or University graduates (singing studies)
Young professionals at the beginning of their careers
Age limit of 32 years of age as of March 31, 2010
Eligible projects
Musical and artistic support
Coaching
Singing lessons (additional training)
Acting (additional training)
Auditions
Transportation
Accommodation (up to $150 perdiem depending on the place)
Others
Recital/auditions gowns
Restrictions
Only one project a year can be submitted but a given project can include more than one element (for example, coaching and transportation for auditions).
Living expenses are not eligible.
Note
Grants are to be used only for the purpose approved of by the Foundation.
Copies of invoices can be requested.
Any change in plans must receive the Foundation’s approval.
For more information, please contact
This just in...We are very excited to announce the upcoming auditions for our production of Mozart's La Clemenza di Tito. There will be four performances at the end of July with chamber ensemble, fully staged with sets and costumes. We are also announcing our apprentice program in conjunction with the main stage event. Please see the attachment for links and audition dates.
We would like to forward the below mentioned workshop taking place in Toronto on January 9, 2010. This workshop will be conducted by Opera America Member and Dramatic Soprano, Margarete von Vaight. Ms. von Vaight studied vocal performance in Toronto, Vienna and Seattle by world-renowned Dramatic Soprano, Jane Eaglen. This workshop will focus on the needs of Career Planning for the Intermediate and Advanced Singer. Specifically, audition preparation, resume preparation, and the importance of competitions and their impact on a young singer's resume. Ms. von Vaight returns with a wealth of knowledge during her cross Canada tour featuring meetings with Music Directors and Artistic Administrators of Canadian and American opera companies. Each student will be provided with an "Audition Package" which will feature Mock Audition material.
Interactive exercises, discussion and networking amongst other singers will be included. Please feel free to contact us for more information.
Career Planning for Singers Workshop January 9, 2010
Toronto, Ontario
Career Planning for Singers 2010, will explore the preparation of a young singers performance career. Join us for an afternoon filled with educational information every singer should know.
Singers will be provided with Audition Materials
This workshop will cover:
Resume Writing
Head shots
Repertoire
Young Artist Program Discussion
After Graduation: What Next?
Managers and Agents
Training and Education that Matters
Performance Experience
Mock Audition PackagesPre-Registration is essential. Please contact us at operaworkshop@gmx.com for more information. Or call 647-242-7342 to reserve.
Date: January 9, 2010
Time: 12:30 @ 4:30pm
Cost: $60.00 (includes all workshop materials)

...an exciting educational off-shoot of the Elora Festival.
We are now accepting applications for the summer of 2010. The Academy is an eight-day residential programme for senior undergrad and post-graduate music students — young advanced, pre-professional and professional, singers and collaborative pianists.
For the summer of 2010 we will be seeking applications from students of voice, and piano accompaniment. These students will be offered an intensive week of individual instruction, master classes and daily performance opportunities. They will also be given the opportunity to expand their artistic insights through interaction with Festival artists. We are also pleased to have internationally renowned artists as resident instructors.
The Programme for Singers and Collaborative Pianists is designed to offer an intensive period of collaboration in vocal literature, focusing on art song but also including repertoire from opera, oratorio and musical theatre. A regimen of daily lessons and masterclasses will culminate in shared, late afternoon public recitals and a final Elora Festival concert showcasing all participants.
...The application deadline is March 15, 2010.This looks like a great opportunity for undergraduate
singers! Find more information at the Elora website.
There is a new program on the Canadian scene! Opera on the Avalon is located at Memorial University in St. John's, Newfoundland. Started by Canadian soprano Cheryl Hickman, this year's program includes fully staged productions of Britten's Albert Herring and The Rape of Lucretia.
Deadlines are fast approaching for the Canadian Operatic Arts Academy at the Don Wright Faculty of Music at the University of Western Ontario!Highlights of the Program
- Intensive scenes program covering the breadth of operatic repertoire
- Internationally recognized faculty from such celebrated institutions as the
Julliard School, Teatro alla Scala and the Houston Grand- Masterclasses with highly acclaimed vocal coaches
- Classes in role preparation, performance practice, drama, movement, dance,
stage combat, career development- Final performance of fully staged scenes
When one joins a department of music at the university level, one is subject to a great number of marketing materials. Most of the program information that comes through my university mail box is not appropriate for the undergraduate level singer. However, once in a while I find something interesting....the participants with invaluable insight into the multifaceted world of opera
– its preparation, performance, and business. Topics include role preparation, performance practice, dramatic exercises and study, audition training, promotion, management, and vocal and physical health. Primary focus will be placed on stage technique: character development, stage deportment, and character interaction. Participants also have the opportunity to engage in a wide array of forums with leading professionals in the operatic field. The workshop culminates in a public performance through which participants will have the opportunity to delve deeply into the experience of role preparation, both its musical and dramatic considerations. Participants completing the Canadian Operatic Arts Academy will leave better prepared for obtaining, realizing, and sustaining a prolific and rewarding career in the operatic profession.
Thanks UWO and Dr. Sophie Roland for putting together this great program...I would love to hear reports from singers that participate this summer!