Showing posts with label Studio Tools. Show all posts
Showing posts with label Studio Tools. Show all posts

Friday, September 9, 2011

Back to school...how do you practice?

It should be assumed that in today's competitive musical environment that singers are practicing all summer long to "keep up their chops"however, many students find that time of year difficult to balance their necessary summer job, their practicing and their fun (heck, I find it hard with kids at home!).  In celebration of the return to school, here are few discussions on practicing....

Performance Today is an American Public Media website that streams conversations and music.  Click the link to listen to a conversation with pianist Simone Dinnerstein on how she practices at the piano (she DOES NOT do SCALES!).  and in particular how she works a piece backwards phrase by phrase.  I know many singers who are the same!

And then of course, there is this conversation with Joan Sutherland and Marilyn Horne on building the voice:

Tuesday, March 8, 2011

Do you MAKE UP?

This entry from the Ottawa Suzuki Stings has been flying around the web as of late and so I thought I would share it with fellow colleagues and students alike!


Make-up Lessons From An Economist's Point of ViewI'm a parent of children enrolled in Suzuki music lessons.  I'd like to explain to other parents why I feel - quite strongly, actually - that it is unreasonable of we parents to expect our teachers to make up lessons we miss, even if I know as well as they do just how expensive lessons are, and, equally importantly, how important that weekly contact is with the teacher to keeping practicing ticking along smoothly.  I think that it is natural for we parents to share the point of view that students should have their missed lessons rescheduled, but if we were to 'walk a mile' in our teachers' shoes, we might change our minds about what it is reasonable for us to expect of our teachers. 
Like many parents, I pay in advance for lessons each term.  In my mind, what this means is that I have reserved a regular spot in the busy schedules of my sons' teachers.  I understand - fully - that if I can't make it to the lesson one week (perhaps my son is sick, or we are away on holiday, or there is some other major event at school) then we will pay for the lesson, but that my teacher is under no obligation to find another spot for me that week, or to refund me for the untaught lesson. And this is the way it should be.
In my 'other life' I am an economist and teach at our local university.  Students pay good money to attend classes at the university; but if they don't come to my lecture on a Monday morning, then I am not going to turn around and deliver them a private tutorial on Tuesday afternoon.  When I go to the store and buy groceries, I may purchase something that doesn't get used.  Days or months later, I end up throwing it out.  I don't get a refund from the grocery store for the unused merchandise.  If I sign my child up for swimming lessons at the local pool, and s/he refuses to return after the first lesson, I can't get my money back.  So there are lots of situations in our everyday lives where we regularly pay in advance for goods or some service, and if we end up not using what we have purchased, we have to just 'swallow our losses'.  On the other hand, if I purchase an item of clothing, and get home and change my mind, I can take it back and expect either a refund or a store credit.  
So why do I believe that music lessons fall into the first category of 'non-returnable merchandise', rather than into the second case of 'exchange privileges unlimited' (which I think is one of the advertising slogans of an established women's clothing store!)?  Speaking now as an economist, I would claim that the reason is that items like clothing are "durable goods' - meaning, they can be returned and then resold at the original price - whereas music lessons are non-durable goods - meaning, once my Monday slot at 3:30 is gone, my son's teacher can't turn around and sell it again. The only way she would be able to give him a lesson later in the week would be if she were to give up time that she had scheduled for her own private life; and that seems pretty unreasonable - I can't think of many employees who would be thrilled if their bosses were to announce that they couldn't work from 3:30 to 4:30 this afternoon, but would they please stay until 6:30 on Thursday, because there will be work for them then! 
Many teachers hesitate to refuse our request to shift lesson times (because our busy schedules do change), because unless they keep us parents happy, we will decide to take our child somewhere else for lessons (or to drop musical study), and they will lose part of their income.  This is particularly true in areas with lower average income, where it can be particularly difficult to find students. So rather than telling us that 'well, actually, the only time when I'm not teaching and that you can bring your son for lesson is during the time I set aside each week to go for a long soul-cleansing walk, and I can't do that on Monday at 3:30 when you should have turned up', they agree to teach us at a time that really doesn't suit their schedule.  Teachers who are 'nice' in this way often, in the long run, end up exhausted, and feeling exploited; they try to draw a line in the sand.  However, too few parents ask to switch only when absolutely necessary, and too many parents want lesson times when it suits them this week, which is not the same time that suited last week.  If the conflict arises because my child is in the School play, and they have their dress-rehearsal during his lesson time, then I feel that I must choose between the two activities, and if he attends the dress rehearsal my private lesson teacher doesn't owe me anything. 
During May, my eldest son will be missing three lessons because he is going to accompany me on a trip to New Zealand to visit his great-grandparents.  I do not expect my son's teacher to refund me for those missed lessons, or to reschedule them by 'doubling up' lessons in the weeks before or after our departure.  Since there will be lots of advanced notice, I might ask her to consider preparing a special 'practice tape' for that period, or to answer my questions via e-mail, but if she doesn't have the time (the second half of April is going to be really busy for her, and she wouldn't be able to do the tape until more or less the week we left) and so has to refuse, then that's fine. I certainly don't expect her to credit me with three make-up lessons; there is no way for her to find a student to fill a three-week hole in her schedule during our absence.  Instead, I hope that she will enjoy the extra hour of rest during those three weeks, and that we will all feel renewed enthusiasm when we return to lessons at the end of the trip.
Article Copyright © 2001Vicky Barham

Tuesday, April 13, 2010

Music festival time!

I am just getting ready to head out to a number of festivals to serve as voice adjudicator but before I leave, my own city is hosting our annual Rotary Music Festival. As I pop from church to church, I have heard some wonderful adjudicating! Currently my favourite line has come from Dr. Luba Zuk of McGill University. She just likened advanced performance to playing at a high stakes lottary table! How true...

To all students preparing to sing and play over the next few weeks - have fun and commit to your music!

Thursday, March 25, 2010

The Big Push to the End...

Many of you reading this are in the last few weeks of the university semester, are just coming off March Break, are in the middle of university auditions or are ramping up for the local music festival. It is easy at this time of year, despite the promise of spring, to get bogged down and overwhelmed (even keep up with this blog!). It is when we are hitting the panic button that we are least productive. Here are a few ideas that get me back on track and focused:

1. Stay on Message. Just like the Canadian government right now, we flounder when we lose track of our goals and responsibilities. Take a few minutes to remind yourself what your general technical singing goals are and how you are working on them on a daily basis and applying them to your repertoire.

2. Check in on Repertoire. It is easy to forget the little details of a song you haven't sung through in a few weeks or a month. In preparation for your jury, audition, upcoming festival, etc. make a list of each song and create a practice log (or log into your Music Teachers' Helper website) so that you are reminded each day to do a run-through of all your songs. Then pick one or two songs to spend some detailed work time. Rotate through the songs during your practice week and you will find that by the end of a week (or two depending on how long your list is!) you have will sung everything each day!

3. Review your Notes. I encourage each of my students to keep a log book where they can transcribe the highlights of their lesson recording. I usually encourage them to write the various technical exercises and any notes associated with these exercises in addition to various notes on the particular repertoire they were working on that day. Go back and review this journal/log to make sure you are on track with your goals and you have the little details in the fore-front of your mind. This log is a great resource not just during the year but in the future!

4. Go Take a Hike. When we are the most stressed or tired, getting 8 hours of sleep and a good workout can explode your energy and therefore your productivity!

5. Dump Your Brain. Many business and life coaches use this as a jumping-off point for getting started on planning and goal setting. Sit down with a blank piece of paper and write out a list of all the things you need to do in your life. Go through the list and start to prioritize. Put a to-date on the things that are important and dump the rest. This clears the brain and helps us to see what is important and what is just brain filler or a distraction.


Monday, January 4, 2010

All Mac all the time

Happy New Year! Its time to get back into work mode...this Christmas was an "all Mac" holiday...new iPhone and the newest MacBook (yes, I'm spoiled) which have proven to be incredible! I am currently discovering new apps, new features on iTunes and of course, playing with Garageband.

My new favourite apps for singing and teaching include Virtuoso Lite which is a keyboard with 6 octaves and great sound; iTranslate which allows instant translations in 50-odd languages; Intermundia librettos of 24 different operas and Bump which allows iPhone users to exchange their business cards by "bumping" phones (get it downloaded before the NATS convention and you won't need business cards!).

While playing on the iPhone (a great way to kill time while waiting in line) I discovered iTunes U where universities have uploaded videos and audio files of lectures, concerts and tours of their schools! Check out Ithaca, NY and their tutorial on learning Les Berceaux and Indiana University for all the free student and faculty concerts.

Finally, Garageband is the coolest, easiest way to record your lessons, create audio samples for web pages and upload anything into iTunes.

Let me know what your favourite apps are and how you use them in your work and play...you can also see from my picture some of the silliness I have also discovered!

Cheers for a happy and productive 2010!

Monday, November 16, 2009

How Do I Make That Sound?

The University of Iowa has created a fantastic website detailing the shapes and sounds of all the different IPA symbols in the English, German and Spanish alphabet. You can access it on-line and watch and hear a human speak the sound. You can also watch an animated cross sectional head (like the one in the photo) make the sound and detail what the tongue, lips, soft pallate and vocal folds are all doing.

This is a great resource for the studio teacher to use as an aid in teaching proper vowel formation, for the student to connect the IPA symbol with the correct sound and for anyone studying linguistics and pronunciation!

Thanks to Camilla Smith of Accent Pro Academy for the link!

From the voice of....